Julie Daniels

ARTIST STATEMENT

The Broken Family Series

I am the youngest of five children in a middle-class Irish-Catholic family, and relationships were strained to the point of breaking following the death of my father in 2020. Our attorney referred to us as ‘a broken family,’ and that term stuck with me and became the inspiration for this series of five paintings.

The storyline of this series is twofold: the rectangular pieces refer to the loss of my father and mother, respectively, and the square pieces refer to the behavior of my siblings surrounding the health challenges, and finally, the loss of both of my parents. I wanted to honor the memories of my mother and father while acknowledging the pain and trauma caused by my siblings during this difficult time. The overall goal of my art is to bring joy and ease suffering; I didn’t realize it when I started, but it was my own joy and suffering that were eased in the creation of this series.

For some background:

My father and I enjoyed going fishing together when I was younger. We would take our tiny skiff, the Mayflower, out to our aluminum boat with bait, rods, gas, and canned cat food to call in the fish. The Mayflower was so small that my father’s hands had to cross over each other in order to row. I somehow ended up with not only both of the oars from the Mayflower, but one of the oarlocks as well. I decided to incorporate the shape of the boat, the oar, and the oarlock into these pieces. I also used pages of books from our house because this period was a war of words; phrases were twisted or taken out of context to alter their original meaning. Old books are a material I enjoy incorporating into my work because the smell reminds me not only of my parents, but of simpler, happier times..

ARTIST STATEMENT

The Square Inch Project

This series of collages is the result of working with a local jeweler who created a line of pendants and rings using tiny circles of cast-off watercolor paintings from various artists and then pouring resin over them. After giving her some of my paintings from what I call my ‘turd’ pile, I got to thinking about what potential value these paintings might have. Though they were clearly worthless to me, she was willing to pay me for my work. We settled on charging by the square inch. Then I realized that there was value in these paintings, even though I thought of them as failures. So I started mining my own work for sections of color or texture that spoke to me. I simply play with placement until it feels cohesive. I am surprised and delighted every single time.

What I have learned from this is that all of it matters in life; the good, the bad, the successes and the failures. You can take a tiny piece of something you think of as no good and transform it by giving it value and reframing it. All our experiences weave together to make this “one wild and precious life” (Mary Oliver).

ARTIST STATEMENT

The Lost Summer Series

This series of oil paintings is a love letter to a place that has, and always will, have my heart: a small beach overlooking Buzzards Bay towards Cape Cod. The small cottage just up the road was what I always thought of as home, even though we were only there for the summers. It was all I ever looked forward to. A bit of family lore has it that when I was about four after coming home from church, I was nowhere to be found. My garments, however, left a trail down the dirt road to the beach, where they saw me and my bare bottom, just sitting and playing in the waves.

I have always loved sunset, a time of day when it is neither light nor dark; neither day nor night. Sunsets on the beach were especially beautiful and this series is an attempt to freeze time while capturing the serenity of the moment. Since the house is gone and the sunsets are now a memory, these paintings provide me a bit of solace for all the summers lost: past, present and future.

Previous
Previous

Alex Rybak

Next
Next

Kristin Selesnick